Top 10 Features You Didn’t Know SoundEditor HadSoundEditor is a powerful audio-editing application used by hobbyists and professionals alike. While many users rely on its core tools—cut, trim, fade, and equalize—SoundEditor hides several lesser-known features that can dramatically speed up workflows, improve sound quality, and unlock creative possibilities. Below are ten features you may not know SoundEditor has, with practical examples of when and how to use each.
1. Multiband Spectral Repair
Spectral repair tools let you isolate and fix specific frequency components without affecting the rest of the signal. SoundEditor’s multiband spectral repair divides audio into multiple frequency bands and applies independent restoration processes to each.
When to use it:
- Removing intermittent noises like camera clicks or chair squeaks.
- Reducing broadband hiss while preserving vocal clarity.
How to use:
- Open the Spectral Repair panel, select the suspect region, choose the band(s), and apply “Adaptive Repair.” Preview and adjust strength per band.
2. Dynamic Stem Export
Exporting project stems for collaboration or mixing is common—but SoundEditor’s Dynamic Stem Export automates stem creation based on track content and loudness targets. It detects instruments, groups tracks intelligently, and exports stems normalized to your chosen LUFS level.
When to use it:
- Preparing stems for mastering engineers or remixers.
- Quickly generating stems for live playback systems.
How to use:
- Choose Export > Dynamic Stems, set target LUFS, select grouping rules (by instrument, bus, or manual), and export.
3. AI-Assisted Dialogue Balancing
This feature analyzes multiple spoken tracks and automatically balances levels, EQ, and de-essing to make dialogue sound consistent across takes. It also suggests alternative EQ curves tailored to the speaker’s voice.
When to use it:
- Post-production for podcasts, interviews, and film dialogue.
- When you have numerous takes recorded at different distances or mic setups.
How to use:
- Select all dialogue clips, open Dialogue Balancer, run analysis, review suggested adjustments, and apply globally or per-clip.
4. Real-Time Spectrogram Resynthesis
SoundEditor can resynthesize audio from its spectrogram to create new textures or repair damaged recordings. This goes beyond standard spectral editing by allowing parameterized resynthesis—changing harmonic content, transient emphasis, and noise floor independently.
When to use it:
- Creating atmospheric pads from percussion loops.
- Reconstructing damaged audio where traditional restoration fails.
How to use:
- Convert the selected audio to a resynthesis object, tweak harmonic/noise sliders, and render. Use morph targets to interpolate between original and resynthesized sounds.
5. Macro Automation & Scripting Hub
Beyond standard macros, SoundEditor’s scripting hub supports JavaScript-based scripts that can automate complex tasks—batch processing, conditional edits, or generating procedural audio. The hub includes a script editor, debugger, and a shared community script library.
When to use it:
- Batch-normalizing thousands of files.
- Creating custom workflows like adaptive crossfades based on tempo.
How to use:
- Open Scripting Hub, choose a script or write one in the editor, run with sample files, and save as a macro for the toolbar.
6. Adaptive Noise Gate with Sidechain Learning
This adaptive gate learns the noise profile from silent sections and constructs a dynamic threshold curve that follows the noise floor, reducing artifacts and preserving natural room ambience. It also supports sidechain input so music or effects can control gating behavior.
When to use it:
- Cleaning up live recordings with fluctuating background noise.
- Gating risers or pads in a mix using drums as a sidechain source.
How to use:
- Insert Adaptive Gate on a track, enable Learn during quiet passages, set Sensitivity and Hold parameters, and optionally route a sidechain input.
7. Tempo-Aware Time Stretch with Transient Protection
SoundEditor’s time-stretch algorithm preserves transient detail while matching audio to a session tempo. The transient protection avoids smearing drum hits and percussive elements during large tempo changes.
When to use it:
- Syncing loops to project BPM without degrading punch.
- Slowing or speeding performances while keeping natural attack.
How to use:
- Select clip, enable Tempo Mode, set target BPM or stretch ratio, toggle Transient Protection, and preview before committing.
8. Multi-Format Podcast Publishing Workflow
Exporting for podcast platforms is streamlined: presets for Apple Podcasts, Spotify, and RSS feed requirements, metadata templates, chapter marker support, and loudness-compliant rendering. The workflow can also upload directly to hosting providers via OAuth.
When to use it:
- Publishing episodes quickly with platform-compliant settings.
- Adding chapters and show notes baked into the file metadata.
How to use:
- Choose Publish > Podcast Workflow, pick a preset, fill metadata and chapters, and export/upload.
9. Mid/Side and Stereo Field Sculpting Console
A dedicated console for mid/side processing makes it easy to separately EQ, compress, and saturate center and side components. Visual meters show stereo width and correlation while you tweak parameters.
When to use it:
- Widening a mix without affecting the mono compatibility.
- Cleaning up low-end by narrowing the mid channel.
How to use:
- Insert the M/S console on a stereo bus, adjust EQ/compression per channel, monitor width meters, and automate width over time.
10. Granular Freeze & Clip Layering
This creative tool allows you to “freeze” a short audio region and granularize it into layers that can be pitched, stretched, and spatialized independently. It’s great for creating pads, ambient beds, or stutter effects from short samples.
When to use it:
- Designing textures from single-note hits or vocals.
- Creating evolving backgrounds for game or film scenes.
How to use:
- Select region, activate Granular Freeze, set grain size and density, spawn layers, and modulate parameters via LFOs or envelopes.
Conclusion Many of these features blur the line between restoration, creative sound design, and streamlined production. Exploring them can save time and open up new creative directions—try combining, for example, Spectral Resynthesis with Granular Freeze or using AI Dialogue Balancing before Dynamic Stem Export to produce cleaner stems.
If you want, I can expand any single feature into a step-by-step tutorial or provide screenshots and preset recommendations.